ದೆಹಲಿಯಲ್ಲೊಂದು ಕೆಂಪುಕೋಟೆ. ಹೊರಗಿದ್ದವರಿಗೆ ಒಳ ಹೋಗಲು ತವಕ! ಒಳಗಿದ್ದವರಿಗೆ ಹೊರ ಬರುವ ತಲ್ಲಣ! ಈ ನಡುವೆ ಕೆಲವು ಬರಹಗಳು ಮತ್ತು ಚಿತ್ರಗಳು.
Thursday, March 29, 2012
Wednesday, March 14, 2012
Nritya Bharati, The Festival
NRITYA BHARATI
THE COMPLETE EXPERIENCE OF INDIAN CLASSICAL DANCE
KAMANI AUDITORIUM, NEW DELHI
MARCH 23 THRU 25, 2012, 6:30 PM
Nritya Bharati, The Festival (Third Edition)
Sri Geetagovinda Pratisthana, Puducherry is presenting the Third Edition of The Nritya Bharati Festival at Kamani Auditorium, New Delhi from the 23rd thru 25th March 2012. This Festival has emerged as a major platform for solo performances in major Indian classical dance forms such as Bharatanatyam, Kuchipuddi, Kathak, Mohiniyattam, Manipuri, Odissi and Sattriya. The Festival endeavors to preserve and promote the heritage of each dance form in its pristine pure form with equal emphasis on geeta, sahitya, raga, tala, vadya and Nritya with a special focus on abhinaya, retaining complete fidelity to the classical traditions. The Festival also encourages use of various regional classical musical traditions of India in their typical styles in the accompanying music for the dance performances.
The Third Edition of Nritya Bharati Festival will feature a mix of veterans and promising young of dancers of various classical forms. Dr Subas Pani, writer, translator and scholar with research interest in Jagannatha, Jayadeva and Geetagovinda has curated the Festival as its Creative Director.
Friday 23rd March 2012 Jyotsna Jgannathan (Bharatanatyam) Prerana Shrimali (Kathak)
Saturday 24th March 2012 Naren Boruah (Sattriya) Swapnasundari (Vilasini Natyam)
Sunday 25th March 2012 Sujata Mohapatra (Odissi) Neena Prasad (Mohiniyattam)
THE COMPLETE EXPERIENCE OF INDIAN CLASSICAL DANCE
KAMANI AUDITORIUM, NEW DELHI
MARCH 23 THRU 25, 2012, 6:30 PM
Nritya Bharati, The Festival (Third Edition)
Sri Geetagovinda Pratisthana, Puducherry is presenting the Third Edition of The Nritya Bharati Festival at Kamani Auditorium, New Delhi from the 23rd thru 25th March 2012. This Festival has emerged as a major platform for solo performances in major Indian classical dance forms such as Bharatanatyam, Kuchipuddi, Kathak, Mohiniyattam, Manipuri, Odissi and Sattriya. The Festival endeavors to preserve and promote the heritage of each dance form in its pristine pure form with equal emphasis on geeta, sahitya, raga, tala, vadya and Nritya with a special focus on abhinaya, retaining complete fidelity to the classical traditions. The Festival also encourages use of various regional classical musical traditions of India in their typical styles in the accompanying music for the dance performances.
The Third Edition of Nritya Bharati Festival will feature a mix of veterans and promising young of dancers of various classical forms. Dr Subas Pani, writer, translator and scholar with research interest in Jagannatha, Jayadeva and Geetagovinda has curated the Festival as its Creative Director.
Friday 23rd March 2012 Jyotsna Jgannathan (Bharatanatyam) Prerana Shrimali (Kathak)
Saturday 24th March 2012 Naren Boruah (Sattriya) Swapnasundari (Vilasini Natyam)
Sunday 25th March 2012 Sujata Mohapatra (Odissi) Neena Prasad (Mohiniyattam)
Saturday, March 10, 2012
ದೆಹಲಿಯಲ್ಲಿ ಅಗ್ನಿ ಮತ್ತು ಮಳೆ
ಗಿರೀಶ್ ಕಾರ್ನಾಡ್ ಅವರ ’ಅಗ್ನಿ ಮತ್ತು ಮಳೆ’ ಕನ್ನಡ ನಾಟಕವನ್ನು ನಟನ ಮೈಸೂರು ತಂಡವು ದೆಹಲಿಯಲ್ಲಿ ಮಾರ್ಚ್ 10, 2012 ರಂದು ಪ್ರದರ್ಶಿಸಿತು. ನಾಟಕದ ರಂಗ ವಿನ್ಯಾಸ ಮತ್ತು ನಿರ್ದೇಶನ: ಮಂಡ್ಯ ರಮೇಶ್.
ರಾಜ |
ರಾಜ ಮತ್ತು ಜಾತಿಗಾರ |
ರಾಜ, ಅದ್ವರ್ಯು ಪರಾವಸು, ಜಾತಿಗಾರ |
ಅರವಸು ಮತ್ತು ನಿತ್ತಿಲೆ |
ನಿತ್ತಿಲೆ, ಅರವಸು, ಅಂಧಕ |
ನಿತ್ತಿಲೆ ಮತ್ತು ಅಂಧಕ |
ವಿಶಾಖ ಮತ್ತು ಯವಕ್ರೀತ |
ವಿಶಾಖ ಮತ್ತು ಯವಕ್ರೀತ |
ವಿಶಾಖ ಮತ್ತು ಯವಕ್ರೀತ |
ಯವಕ್ರೀತ, ಅರವಸು ಮತ್ತ್ತು ನಿತ್ತಿಲೆ |
ರೈಭ್ಯ, ವಿಶಾಖ, ಅರವಸು |
ವಿಶಾಖ, ರೈಭ್ಯ ಮತ್ತು ಅರವಸು |
ರೈಭ್ಯ, ವಿಶಾಖ, ಅರವಸು |
ವಿಶಾಖ ಮತ್ತು ಯವಕ್ರೀತ |
ಯವಕ್ರೀತ ಮತ್ತು ಬ್ರಹ್ಮ ರಾಕ್ಷಸ |
ಬ್ರಹ್ಮ ರಾಕ್ಷಸ |
ನಿತ್ತಿಲೆ ಅಣ್ಣ ಮತ್ತು ಅರವಸು |
ರೈಭ್ಯ ಮತ್ತು ಪರಾವಸು |
ಅರವಸು ಮತ್ತು ಪರಾವಸು |
ವಿಶಾಖ ಮತ್ತು ಪರಾವಸು |
ವಿಶಾಖ |
ನಿತ್ತಿಲೆ ಅಣ್ಣ, ನಿತ್ತಿಲೆ ಮತ್ತು ಅರವಸು |
ಅರಸ |
ಪರಾವಸು |
ಅರವಸು ಮತ್ತು ನಿತ್ತಿಲೆ |
ಅರವಸು ಮತ್ತು ಜಾತಿಗಾರ |
ಅರವಸು, ನಿತ್ತಿಲೆ ಮತ್ತು ಜಾತಿಗಾರ |
ನಾಟಕ ಪ್ರದರ್ಶಿಸಿದ ನಟನಾ ತಂಡ |
ನಿರ್ದೇಶಕ ಮಂಡ್ಯ ರಮೇಶ್ |
Friday, March 9, 2012
Wednesday, March 7, 2012
National award winning film Byari
National award winning film Byari is an ethnic community study
Elated at his debut film getting national award for best film, the director of Byari KP Suveeran said the film was about conditioning of women in the Byari Muslim community based on sexuality.
Byari shared the national award for best film with Marathi film Deool by Umesh Kulkarni at the 59th National awards announced today.
"Byari (also known as Beary), is an ethnic society trapped in their own faiths and beliefs, having its own traditions and distinct cultural identity. I did a lot of research on the society and their beliefs after reading works by various authors," he said.
He said the film was shot in 16 mm on a limited budget, but he could capture the environs of the Byari despite limitations. "When I see the film now, I think I could have beautified it more," Suveeran, hailing from Kannur, said.
"I am basically a theatre man. And you can find some traits of the theatre in the movie also. When I started working on this film, I had to face this challenge. A certain amount of give and take should be visible when one works in both the mediums," he said.
This is the first-ever film made in Byari language, spoken mainly by people belonging to the community concentrated in the coastal regions of north Kerala and Dakshina Kannada district in Karnataka.
In the Ullal region in Dakshina Kannada, people belonging to other communities have also adopted Byari as their local language. Byari language, which has links with Malayalam, Urdu and Tulu, does not have a script.
The film, which was shown in some festivals, had won rave reviews. It has Tamil and Malayalam actress Mallika (who got a special mention from the Jury for her performance) in the lead role, while popular Malayalam actor Mamukkoya--appears in a "very serious negative role" in the film as her father, the director said.
Elated at his debut film getting national award for best film, the director of Byari KP Suveeran said the film was about conditioning of women in the Byari Muslim community based on sexuality.
Byari shared the national award for best film with Marathi film Deool by Umesh Kulkarni at the 59th National awards announced today.
"Byari (also known as Beary), is an ethnic society trapped in their own faiths and beliefs, having its own traditions and distinct cultural identity. I did a lot of research on the society and their beliefs after reading works by various authors," he said.
He said the film was shot in 16 mm on a limited budget, but he could capture the environs of the Byari despite limitations. "When I see the film now, I think I could have beautified it more," Suveeran, hailing from Kannur, said.
"I am basically a theatre man. And you can find some traits of the theatre in the movie also. When I started working on this film, I had to face this challenge. A certain amount of give and take should be visible when one works in both the mediums," he said.
This is the first-ever film made in Byari language, spoken mainly by people belonging to the community concentrated in the coastal regions of north Kerala and Dakshina Kannada district in Karnataka.
In the Ullal region in Dakshina Kannada, people belonging to other communities have also adopted Byari as their local language. Byari language, which has links with Malayalam, Urdu and Tulu, does not have a script.
The film, which was shown in some festivals, had won rave reviews. It has Tamil and Malayalam actress Mallika (who got a special mention from the Jury for her performance) in the lead role, while popular Malayalam actor Mamukkoya--appears in a "very serious negative role" in the film as her father, the director said.
59th National Films Awards
Marathi actor Girish Kulkarni has been adjudged as the best actor for the film ‘Deool’.
The jury, consisting of actress Rohini Hattangadi amongst others, announced the winners on Wednesday in New Delhi.
The list of winners:
Best Child Artist: Partho Gupte for ‘Stanley ka Dabba’ and child actors of ‘Chillar Party’
Best Director: Gurvinder Singh for ‘Anek Ghode da Daan’
Best Film: ‘Deool’ and 'Byari'
Best Screenplay: Vikas Behal and Nitesh Tiwari (Chillar Party)
Best Dialogue: Girish Kulkarni for ‘Deool’
Best Editing: Praveen KL and NBSrikanth for ‘Aranya Kandam’
Best Special Effects: ‘RA.One’
Best Bengali Film- 'Ranjana Ami Ar Ashbona'
Best Dogri Film : Dilesh Basiya Koi
Best Hindi Film : ‘I Am’
Best Kannada Film: ‘Koorma Avatar’
Best Manipuri Film: 'Phijigee Mani'
Best Marathi Film: ‘Shaala’
Best Tamil Film: ‘Vaagai Sooda Vaa’
Best Punjabi Film: 'Anne Gode Da Daan'
Best Choreography: Bosco and Ceasar for ‘Senorita’ in ‘Zindagi Milegi Na Dobara’
Best Jury Film: ‘Ronjana Aami Aar Ashbo Na’
Best Lyrics: Amitabh Bhattacharya for ‘Agar Zindagi’ from ‘I Am’
Best Music: Neel Dutta ‘Ranjona..’
Best Makeup: Vikram Gaekward for ‘Baal Gandharva’ and ‘The Dirty Picture’
Best Costume: Neeta Lulla for ‘Bal Gandharva’ and Neharika Khan for ‘The Dirty Picture’
Best Supporting Actor: Appu Kutti
Best Playback singer(female): Rupa Ganguly
Marathi actor Girish Kulkarni has been adjudged as the best actor for the film ‘Deool’.
The jury, consisting of actress Rohini Hattangadi amongst others, announced the winners on Wednesday in New Delhi.
The list of winners:
Best Child Artist: Partho Gupte for ‘Stanley ka Dabba’ and child actors of ‘Chillar Party’
Best Director: Gurvinder Singh for ‘Anek Ghode da Daan’
Best Film: ‘Deool’ and 'Byari'
Best Screenplay: Vikas Behal and Nitesh Tiwari (Chillar Party)
Best Dialogue: Girish Kulkarni for ‘Deool’
Best Editing: Praveen KL and NBSrikanth for ‘Aranya Kandam’
Best Special Effects: ‘RA.One’
Best Bengali Film- 'Ranjana Ami Ar Ashbona'
Best Dogri Film : Dilesh Basiya Koi
Best Hindi Film : ‘I Am’
Best Kannada Film: ‘Koorma Avatar’
Best Manipuri Film: 'Phijigee Mani'
Best Marathi Film: ‘Shaala’
Best Tamil Film: ‘Vaagai Sooda Vaa’
Best Punjabi Film: 'Anne Gode Da Daan'
Best Choreography: Bosco and Ceasar for ‘Senorita’ in ‘Zindagi Milegi Na Dobara’
Best Jury Film: ‘Ronjana Aami Aar Ashbo Na’
Best Lyrics: Amitabh Bhattacharya for ‘Agar Zindagi’ from ‘I Am’
Best Music: Neel Dutta ‘Ranjona..’
Best Makeup: Vikram Gaekward for ‘Baal Gandharva’ and ‘The Dirty Picture’
Best Costume: Neeta Lulla for ‘Bal Gandharva’ and Neharika Khan for ‘The Dirty Picture’
Best Supporting Actor: Appu Kutti
Best Playback singer(female): Rupa Ganguly
Monday, March 5, 2012
Holi Celebrations Start
No country is as colourful in its traditions as India - from the lavish sets of Bollywood and the rich spectrums of their cuisine to the lush pigmentation of silk saris and religious icons.
So to celebrate the spring - the time of year when dark, bleak winter fades and flowers bloom into a thousand shimmering shades - they really have to pull out all the stops.
Thousands of Hindus came from across India to the small village of Nandgaon, near Mathura in Uttar Pradesh, to celebrate the Lathmar Holi Festival Friday.
Vibrant: People throw coloured powder as they celebrate Lathmar Holi at Nandgaon village in the northern Indian state of Uttar Pradesh yesterday
Ecstatic: Participants quaff cold drinks laced with bhang - a paste made from cannabis - as the run around the town playing and making merry
Burst of colour: A Hindu worshipper throws a bucket of colored water on others during Lathmar Holi at Nandagram Temple in Nandgaon Friday |
A prelude to the major national Holi spring festival - known as the Festival of Colours - it sees participants shower each other with brightly coloured dyes and millions of flower petals.
According to legend, Lord Krishna visited his principle consort and childhood friend, Radha, in the village on this day and playfully teased her and her friends. The women responded by chasing him away with sticks.
In the festival men in traditional dress take on the role of gops (friends of Krishna), while women play gopis (friends of Radha).
The men sing provocative songs and throw the coloured powders and flowers on the women, who fight back by pretending to beat them with bamboo.
Indian Hindu women from Nandgaon village beat the shield of a man from Barsana during Lathmar Holi in Nandgaon
Holy: The ritual fighting remembers the legend of Lord Krishna, who was chased away from the village by his lover Radha and her friends after teasing them
Devotional: Hindu worshippers covered in various colored powders sing prayers during Lathmar Holi at Nandagram Temple, in Nandgaon
It is claimed that the Hindu deity Krishna, who was dark in colour, was jealous of the fair-coloured Radha. He pestered his foster mother Yasodha about it so much that, fed up, she told him he could change Radha's skin by sprinkling her with colours.
Krishna and his shepherd friends visited Radha and her cowherd girls on this day and teased her by throwing colours at her. She and the girls responded by chasing them away with the sticks, called lathis.
In the Lathmar Holi festival, the men from Nandgaon first come to the neighbouring village of Barsana to play Holi with the women there. On the second day, men from Barsana travel to Nandgaon to play the game with their women.
Fun: Young men smeared in various colours joyfully celebrate the festival, which heralds the start of spring
Tiring: Some of the village's older men take a rest from the action
During breaks from the action, those taking part sip an a cold drink called thandai, intoxicating because it is laced with bhang paste, which is made from cannabis, known to Indians as 'ganja'.
After quaffing the bhang, the participants laugh, cry and crave sweets, the ecstatic experience heightened by the theatrical revelry of the festivities.
The women of both villages begin preparing a month in advance, with mother-in-laws feeding their daughters-in-law rich food so that they show off their prowess on the Holi battle zone.
It is a show of love, fun and equality, one, its participants believe, that even the gods descend to witness.
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